Roma lets viewers hear its world before they see it. The latest film from Children of Men and Y Tu Mamá También director Alfonso Cuarón opens with a long shot of a tile floor. It’s situated in the courtyard driveway of an upper-middle class family in early 1970s Mexico City, but the audience doesn’t initially know that — Cuarón only offers them a gorgeous, static image. Like the rest of the film, it was shot by Cuarón himself, in black-and-white 65mm, on an Arri Alexa 65. It’s a digital camera that has captivated even some filmmakers usually enamored with shooting on film. Eventually, that camera does move. But initially, as the opening credits stretch out, it just soaks in the tile and the sounds of a neighborhood going about its daily...
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